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KOSMIK 2022

Khách Hàng
SPACESPEAKERS
Năm
2022
Dịch Vụ
CONCERTS
CREDITS

Artists | SpaceSpeakers

Creative Director | Viet Tu

Music Director | Touliver

Project Director | Vu Ha Quan

Project Operations | Jason Dang

Production Manager | Vu Binh Nguyen

Project Manager | Luu Vu Hoang Kim

Business Management | Van Anh Nguyen - Vu Le Hoang Anh - Pham Minh Thu

Press Relations | My Duy - Hoai Thanh - Phuong Anh

Legal | Thuy Dung

Marketing | Tung Lam - Nguyen Trung Tin - May Ha - Dieu Anh - Brian Phan - Thu Chloe - Anh Thu Vo - Nguyen Gia Linh

Graphic Design | Mark Do - Duy Long - Zetsk

Costume Design | Trung Hieu - Minh My - Nhu Ngoc - Nam Phung - Mai Anh - Mai Tung Anh

Costume Design & Management (Dancer Costumes) | Dao Hong Anh

Costume Assistant (Dancer Costumes) | Nguyen Quynh Anh

Costume Staff (Dancer Costumes) | Tran Le Thao Vy - To Thanh My - Le Thi Yen Nhi

Chief Financial Officer | Dau Ha Phuong

Accountant | Kim Hue

Finance & Accounting | Tran Le Thanh Thuyen - Nguyen Hoang Long - Do Thien Nhan

Logistics | Tam Pham - Thanh Van

Production Assistant | Nguyen Xuan Dong - Nguyen Thanh Tam - Hong Thanh Tram - Ngo Duc Thien - Thai Luu Anh Vu

Event Operations | Delta Engagement Marketing

Head of Account | Ngoc Pham

Project Manager | My Nguyen

Staging Lead | Duc Nguyen

Head Choreographer | Tu Vo

Choreographers | HOANG THONG TEAM (Thu Dinh - Bony Troc - Tan Huy - Luu Ly - May Oomph - Jessica Trieu - Thuy Van) - THE GREEN TEAM (Thuy Dang - Meo - Sai Biez - S4 TEAM - KyoHaHa - Duc Hung) - SPACEX TEAM (Le Vinh)

Staging Assistants | Thành Đỗ - Tuấn Thái - Ly Nguyễn - Long Bùi

Dance Troupes | HOÀNG THÔNG DANCE TEAM - THE GREEN DANCE TEAM - S4 CREW - SPACEX DANCE GROUP

Lighting Director | Nguyễn Ngọc Lâm

Lighting Staging Coordinator | Đức Minh

Lighting Designer | T N ADT

Lighting Programmer | T N ADT - ZANH QU N - ĐẠI VIỆT - Curly Khoa

Lighting System Designer | Huỳnh Light - Công Thịnh - Phúc Light

Lighting System Operator | ADT

Lighting System Provider | B&C

Laser System Provider | AViTech

Sound Engineer | Doãn Chí Nghĩa

Music Playback Operator | Uông Thùy Anh

Sound System Provider | 3S

Production and Technical Director | Phan Hải Linh

Spatial Designer | Nguyễn Trọng Nguyên

Site Supervisor | Lê Đức Hường

Technical Designer | ZHoàng Lê Hải

Production Coordination Assistants | Nguyễn Anh - Linh Black

Stage - Props - Truss Layer | Saigon Truss

LED Screen - Projector | Show Group - Truss - An Bach

Generator | Vinh Thanh

Visual Content Manager | Tung Nguyen

Visual Content Assistant | Thai Hiep - Hoang Hiep - Hung Trinh

Visual Design & Production | THEVISUAL084 - MOTIX - ANTI BRIEF - Hoang Khanh

Video Production | TEAM BUBA BUI - Artist Story Video

Executive Producer | Vu Binh Nguyen

Director | TinoT

Production Manager | Dzung Nguyen

DOP | HO ANH TU - THAI MINH DUONG

CAMOP | TRUNG TIT

POST | DUY ANH - TAN NAM

Visual Creative Lead | Tung Monkey

Visual Effects Performance Lead | Tung Monkey

Visual Effects Performance | LongX - Le-Bac-Tan - Danny Dang - Vien Kynri

Real-time Visual Effects Lead | Cuong Glit-C

Real-time Visual Effects | Tung Monkey - Phuong Nguyen

3D Design | Vien Kynri - LongX - Le-Bac-Tan

Director of Photography (D.O.P) | Tran Quoc Vuong

Assistant Director | Mian Tran

Producer | Tran Quoc Vinh - Tran Quoc Truong - Le Xuan Huynh

Cinematography - Photography | Tran Film

VTR | Nguyen Van Linh

DIT | An Pham

Camera Operator | Huynh Trung Hieu - Dang Dinh Bao - Tran Huu Nhi - Tran Duy Nghia - An Nguyen - Giang Le - Doan Van Huy - Mai The Tam - Ngo Chi Thanh - Thuan Le - Truong Cuong - Hieu Min - Dinh Duy - Nghia Bom

Flycam | Vu Nguyen - Huy2nh Anh

FPV | Mush FPV - Dat Nguyen - Han Vu

Post Producer | My Bui

Offline Editor | Tran Quoc Bao - Huynh Cuong

VFX | Tao Hau Ky

Online Editor | Nghiem Truong - Danz - Hoang Hiep - Vu Nguyen

Color Grading | Brian Nguyen

After Movie | Nghiem Truong - Hoang Hiep

BTS Cinematography | Phat Nghiem - Hoang Nguyen

Behind the Scenes | EVENTUS

Makeup | Le Trieu - Be Binh - Tra Nguyen - Ha Lac - Erik

Security Coordination | Hai Bin - Dung Delta - Mat Vang Security Team

KOSMIK (2022) was the first immersive concert ever produced in Vietnam. The challenge presented to Dream Studio’s creative team was to integrate the 11 distinct musical identities from the Hip-Hop and Electronic genres into a cohesive experience that could engage mainstream audiences while maintaining artistic depth and integrity.

To address this challenge, Dream Studio pioneered the application of the Immersive Stage concept instead of relying on the conventional large-scale live concert model.

  • The project redefined the structure of a concert experience by allowing audiences to move freely within the venue, directly interact with the performance environment, and become an integral part of the show's evolving narrative and visual context.

I. PIONEERING APPROACH

To align the visual language with the musical philosophy of SpaceSpeakers, Dream Studio created specialised performance environments for each artist. The combination of contrasting artistic disciplines, including classical ballet, contemporary dance, hip-hop choreography, and advanced stage technologies, generated a continuously transforming performance environment within a non-traditional “NO STAGE” format.

Key technical innovations included:

  • A mobile stage lift system and overhead LED screens with dynamic vertical movement.
  • A floor-simulation engineering system and Gauze screen technologies to maximize spatial depth and visual immersion.
  • More than 80% of the show was operated through timecode synchronization and coordinated via an FOH control system located entirely outside the performance space, while still maintaining absolute precision between audio, lighting, visuals, mechanical movement systems, and stage effects.

The immersive staging model introduced significant safety challenges, as audiences constantly moved alongside artists and mechanized stage equipment. To ensure operational excellence, Dream Studio implemented an international management structure based on a triangular leadership model: Show Director – Stage Manager – Security Manager. This close coordination enabled comprehensive risk management, safe audience circulation, and rigorous operational discipline throughout the entire event.

II. DREAM STUDIO'S VISION

KOSMIK (2022) was realized under considerable constraints, including venue limitations, tight production timelines, and the financial realities of a commercial show.

Faced with the challenge of balancing commercial viability with artistic innovation, Dream Studio chose a path of strategic partnership over short-term profit metrics.

  • Strategic Partnership and Creative Patronage | Dream Studio viewed the collaboration with SpaceSpeakers not simply as a producer-client relationship, but as a convergence of pioneering creative mindsets. The decision to invest resources, expertise, and shared risk stemmed from the belief that Vietnam's Underground music movement and emerging artists deserved a professional platform capable of presenting their work to broader audiences through a refined, aesthetically driven, and culturally meaningful lens.
  • Commitment to Intangible Value | For Dream Studio, the greatest return from a pioneering project is not measured through financial outcomes. Its true value lies in expanding public access to new artistic experiences, establishing new technological standards for live entertainment, and   affirming the independent capability of the Vietnamese creative and technical teams when handling highly complex audiovisual productions on par with international benchmarks.

III. LISTENING, LEARNING, AND REFINING STANDARDS

Any pioneering experiment inevitably contains areas for improvement and generates diverse public opinions. In response to discussions and feedback from audiences, media, and industry observers following the event, Dream Studio approached these perspectives with openness, responsibility, and a commitment to continuous learning.

  • A Foundational Milestone

Vietnam's first immersive concert format successfully fulfilled its historical role by inspiring subsequent public entertainment events, as well as numerous performances by Indie and Underground artists in the following years. The project provided both a conceptual framework and a practical methodology for future immersive productions within the Vietnamese entertainment industry.

  • The Scope of Creative Freedom and Original Values

Through dialogue with differing viewpoints, Dream Studio recognizes that contemporary experimental art requires a deep understanding of the Eastern cultural nuances. Responsible creativity is not defined solely by breaking traditional conventions, but also by the ability to exercise thoughtful restraint and precise judgment, ensuring that an artist's bold individuality can coexist harmoniously with humanistic values and positive social messages.

For this reason, KOSMIK (2022) represents far more than a milestone in artistic experimentation. It stands as a declaration of Dream Studio’s unique creative philosophy and the commitment to pioneering innovation in service of the arts. Dream Studio  chooses to remain steadfast in pursuing breakthrough ideas, embracing challenging experiments to continuously elevating professional capabilities. Guided by aesthetics as the compass and operational excellence as the foundation, Dream Studio remains committed to supporting creative platforms, advancing artistic innovation, and contributing pioneering values to the development of Vietnam’s Cultural Industries.

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